Music

Take a ride on Mr Sen’s Ghost Train..

We at The Pool love a trip to the fun fair and when we last visited we took ourselves for a fright on Mr Sen’s Ghost Train.

We speak figuratively of course but for those in the know this new single from Richard Sen dropping on Especial comes with all the eager anticipation of your first whirl on the dodgems…

A swirling vortex of cavernous proto house drums, ebm throbs and discombobulated apache chants ‘Ghost Train’ has caused quite the storm already with Hugo Capablanca, Mark E, Andrew Weatherall, Cosmo Vitelli and Bad Passion already heavily repping the test pressings that went out at the start of the year.

On the flip a more gouged out dub sits alongside ‘Meteor Shower’ a workout that sees icy trills of keys marry with pounding percussion hits and searing bursts of white noise.

To celebrate Mr Sen’s return to the fair we have 10 copies of his fantastic UK house compilation cd ‘This Ain’t Chicago:  This Ain’t Chicago: The Underground Sound Of UK House & Acid 1987-1991’ to give away.

To grab one simply email thomas@thepool-london.com with the answer to the question…

“Which friendly ghost had a film made about him starring Christina Ricci in 1995?”

POSTED IN

Music, Press, Richard Sen

DJ Harvey – Wildest Dreams

DJ Harvey releases a Wildest Dreams’  7″ for Record Store Day on Smalltown Supersound today.

Wildest Dreams are a Modern Day Equivalent of the L.A wrecking crew.

They make music inspired by the landscape of L.A and it’s surrounds for your road and acid trip. The brainchild of Harvey Bassett as a means to keep his multi-instrumentalist hand in so to speak.  The album was recorded over a week a couple years ago and unearthed by Smalltown Supersound.

Hunt it down wherever you do your shopping !

POSTED IN

Harvey, Music, Press

for whom the bell tolls…

The Pool is delighted to beam in with a couple of bits of news from recent signing Bell Towers.

First up Rohan will be playing alongside UK electronic music guru Andy Blake at the venerable Wavey Tones party tonight at Peckham’s Bussey Building.

Wavey Tones stands out as an exciting prospect in the plethora of clubnights in the capital city. A pleasingly catholic approach to booking from the dance music community has seen previous bookings range from the dubwise frequencies of Glasgow’s  Mungo’ s Hi-fi through to the frenetic rhythmic exploits of Chicago’s DJ Spinn.

In addition to this Friday’s night is being held in the much praised multi level arts space the Bussey Building which promises to have far more visual appeal to it than your arrange Friday night ritzy.

Catch Rohan playing the warm up for Andy alongside Wavey’s residents Tony and The Waves and South London’s Elysia.

Secondly we  are celebrating the fact that Rohan has secured his second release on Berlin’s hotter than a tomcat with four gonads label Public Possesion. As the follow up to last years critically acclaimed Lightrail single this five track EP entitled Territory glows as the distinctive assemblage of genres we know & love BT for. Vocal recordings from 2007 are welded on to beds of swirling dance textures with nods to acid house, italo and new beat.

This should be dropping in to your stores this week…..

 

Heavenly Social with Bell Towers

As part of their 15th anniversary celebrations Heavenly have invited us back down into their basement for a one off shindig at The Social in London on Fri 7th Feb.

We have quite a bit of history with Little Portland Street, so really looking forward to this one.

New roster addition Bell Towers will be starting up front, with midfield support coming from Matty, Ben & Thom (or The Pool DJ’s if you will) and of course the legendary Heavenly Jukebox.

please join us if you can, and check out a mix from Bell Towers below:

New Roster Addition – TELEPHONES

Another addition to The Pool family, this time straight out of Norway (via Berlin) the very exciting talents of TELEPHONES

A killer debut release on Full Pupp & more recently 2013’s acclaimed collaboration with DJ Fett Burger on Sex Tags UFO has seen his star very much in the ascendancy..

Again we have an exclusive mix from the man himself, and a quick chat to see where he’s at as of now..

– You are originally from Bergen but now based in Berlin, right?

Correct. Allthough technically I’m from Sotra, at least I grew up there for the most part. It’s an island one hour outside of Bergen. I’ve been based in Berlin since summer 2010.

– Your recent work has featured a healthy amount of collaboration with DJ Fett Burger from Sex Tags. Is collaboration a good way for you to work? Will you look to collaborate with others in the future?

I guess it all depends on chemistry. Earlier I’ve found it hard to work with others as I’m (probably quite annoyingly) picky in the production-phase, but recently I’ve enjoyed it very much. I always have too many ideas and too much recorded raw material, then to have someone help kill your darlings and zoom out can be very productive when you’re on the same page. Had a lot of fun with Fett Burger and we’ve been talking about doing another session soon.

– You recently performed a live show in Norway. How was it? And what can we expect to see when the Telephones live show comes into our discotheque?

The gig was a commissioned hardware-show for EKKO Festival in Bergen, along with my friend Even Brenden aka Chmmr. It was a bit stressy due to the amount of equipment, but much fun. We had about 13 synths, drummachines and boxes running up there. It was all original new material we’d worked on together, stretching from 80s VHS-house and tracky afro/cosmic-stuff to chicago-tingled balearic workouts, ending up at a some sort of pianobar in Detroit. We’re gonna do more shows together, and I’ll probably look into doing some on my own as well.

– You’ve put your hand to some great edits that are up on the web. Any plans for these to be commited to vinyl?

I haven’t been so keen on releasing edits, but a few of them have sneaked their way into the pressing plant. There’s a 12″ EP coming with some edits/reworks, plus a remix I did of Skatebård, on Keyboard Masher’s new label Pleasure Unit any day now. And there’s a polish edit on The Very Polish Cut-Outs vol.2 12″ Sampler that’s also out soon.

– Do you know Pool’s long time Norwegian brother Terje? If so when, where, how, why did you meet?

I am familiar with the Terjebrother yes. I think we first “talked” on the internet in 2006 when I sent him a message on MySpace, asking for a track on a mixtape he did with Dølle Jølle. The track was only released on a danish cd-single, which I went through some hassle to find and order. Then it came out on a 12″ on Eskimo some years later. It was an early dub-version of that “Yes Maam (All Nite Long)”-track by Visti & Meyland, but then from someone called Castor Pollux, I don’t know how that’s all connected. First time we met in person I think was in Berlin 2010 when we both played at Kleine Reise.

– We recently heard that a record label based in the UK, is making a movie about the Norwegian… Cosmic / Balearic / Disco scene. Do you feel that such a scene exists in Norway, if so how do you fit into that jigsaw puzzle? Where there any Norwegian artists that particularly influenced you in the past?

Ooh I don’ know, I’ve never been very good with puzzles.. Maybe I’m this annoying bit you have to bend or break to make fit? Hopefully it’s got a nice motif on it, some fruit or a funny dog at least. In terms of influences I’d definatly have mention Erot and Bjørn “The Codfather” Torske. Those are my long-time heroes since I first accidentally heard Torske’s “Nedi Myra”-album on a borrowed cassette-tape in 98′. Also the crew and local DJ’s around Mikal Tellé’s recordshop in Bergen was a big influence in my formative years.

About the scene, there’s definitely a bunch of talented and devoted DJ’s and producers around but I don’t really know if it’s a scene? If you go to Norway with this vision of the Great Norwegian Disco-scene you might be disappointed. It’s a very small country.. Like two weeks ago playing in Poland a girl told me she was on holiday in Norway and had travelled to Moss, a small city of around 30.000, because her boyfriend told her that’s where Sex Tags Mania are from. So she went there. And slept in a tent outside an abandoned factory, and then went home to Poland.. But there’s a lot of good music and good people around, but it doesn’t really feel like a scene.

– Did you have to twist Prins Thomas’s arm to put your record out? Or was he stalking you for many years?

Haha, he contacted me actually. I had some early demo-stuff up on MySpace, and he somehow heard it and got in touch. I had looked up to him for many years, so I was definitely stoked about that. I was just in the start of developing my music, so it was really a good push which I’m very thankful for.

– Is it right your next release is on Gerd Janson’s Running Forward records? Tell us about how you guys connected? We do love Gerd here.

Forward we go yes! It’s a four track EP due in a couple of months, which I’m super excited about. I had some tracks that I wasn’t sure where to put and Fett Burger gave me Gerd’s email, so I sent him some stuff which luckily he was very into. I still haven’t met him in person actually, but he’s very nice on the email.

– Your favourite local dish from Bergen?

The west-coast classic christmas dish “Pinnekjøtt”. The meat is salted, dried and cured lamb ribs, sometimes also smoked. This is then soaked in water for at least 24 hours, then steamed for about 3 hours. Then you pop it in the oven for them to crisp up and caramelize slightly. Served with good potatoes, a mash of kohlrabi, or swedes I think you call it, and then you do a sauce from the fat/stock left in the steaming-pot. It’s very simple and classic, but there’s all kinds of delicious touches you can do. Give the mash a subtle touch of vanilla, throw in a star-anis or two, some carrot, cream and butter and so on. All served with a mandatory good aquavit and some decent beer on the side.

– Can you tell us a bit about the mix you recorded for us?

It’s a selection of old and new stuff I like and enjoy playing. I like playing somewhat eclectic, so I tried to do this like a compact snapshot of the vibe I’m into, perhaps more about that rather than genres or floor-mindedness.

– Ideal pool party line up? (Dj, Grill Chef, Cocktail Waiter)

DJ: Beppe Loda 7″ bonanza

Grill Chef: Heston Blumenthal

Cocktail Waiter: Peter Sellers

Telephones is available for bookings now.

POSTED IN

Music, Press, Telephones

READ THE LABEL

‘Running a label should not be a case of randomly soliciting music from across the world.’

Ron Morelli

‘Now, it’s kind of ‘Okay, I’ll enter that arena, and I’ll use those reference points’. There was a charm thing that has been eroded by the speed of communications now.’

Adrian Sherwood

Record labels, much like running an abattoir, are one of those endeavours that everybody thinks they could easily have a stab at but nine times out of ten their efforts result in a bloody mess. The glitz and attraction held in the prospect of curating and designing recorded outputs for artists frequently overshadows the realities of sluggish record sales, pressing plant nightmares and crippling overheads. This is the inaugural edition of what we hope to be a regular feature on the blog that will seek to doff a figurative cap to the efforts of some of the Pool’s very own label owners who fight against these tides of difficulty to deliver us new and exciting music.

To start we are casting our gaze upon one of the two labels that are owned by the Pool’s multi-faceted power players Soft Rocks. Vibrations is the house imprint started by Chris Galloway and Piers Harrison in late 2010. Since its inception the label has continued to release captivating house and techno music ingrained with a permanence that the bulk of the music in this inherently transient arena lacks. The first Vibration to touch the public’s collective cochlea saw the wormhole house approach of Mark E subverted with a wash of bright new-age hues.

Subsequent releases have given us more of the lush jazz inflected house from Jaime Read’s nascent LHAS Project, served up extra helpings of the clattering machine funk of DC’s Protect-U and given airtime to previously unheard of acts like Last Floor Hotel who graced us with some suitably melon mangling acid.

In an early interview the guys spoke of wanting to cast Vibrations as a house label in the same way that On-U Sound is a reggae label. Four years on and seven releases in and the label owners have been caught in an unprecedented purple patch for the humble record label. The two quotes at the start of the feature are included not only for the affinities that Vibrations have to the respective label owners quoted but also serve to highlight the pitfalls of label ownership in the internet era. Whilst the logistics and mechanics of running a label have never been easier to acquire and master what can often be lost in the scrabble to gain ascendancy is the intangible charm of the slightly mysterious and thoughtful label that releases the music of friends even if it doesn’t quite fit with the favourable micro tags of the minute. Vibrations, in The Pool’s humble opinion, has certainly become one of those rarities. What follows is an honest evaluation of the successes and disappointments that the guys have had in coming to this point….

Hello Guys, So let’s start with Vibrations. You’re seven releases in and going from strength to strength. In an earlier interview with RA you spoke of the label in a rather jocular fashion as a vanity project and another outlet to waste your money. In seriousness has the label fulfilled what you wanted from it?

A distributor we know once said he didn’t take on ‘vanity projects’, which would probably wipe out 95% of the records you see in shops like Phonica etc. I don’t think there’s anything wrong with vanity projects or hobbyist record labels in honesty. At least they’re free from financial shackles and the weight of expectation that bogs down more ‘serious’ projects.

I’m not sure we had any massive expectations of Vibrations beyond ‘let’s do a house based label’. We’re quite slack in terms of promotion and that often means we just release these records into the wild and see how they get on, for better or worse. I like the idea that something can have a life of its own and people discovering something. On the other hand, I’d like to have seen more sales as well. Sadly in this day and age, if your record doesn’t make an impact in the first week of its release, it generally won’t make any impact.

I think Vibrations also got a bit buried in the vast numbers of hand-stamped house labels floating around now. Which, for me, is part of the reason we’ve not done anything for a while. We never really saw ourselves as part of that. House music has been as important to Chris and I as much as any other music for as long as we’ve been dj’ing. We’re bloody old so that’s some time.

When starting the label was it the case that you had a bank of releases that you were sat on waiting to release or have you just been waiting for the right releases to come along to you?

We had the Mark E record cued up and I think that was about it. We’ve worked with Jaime loads and know he has tons of unreleased material so he was an obvious choice. There’s no shortage of wonderful music looking for a home out there, so we were confident that we’d find stuff and stuff would find us. We reach consensus pretty easily – generally if one of us doesn’t want to release something, the other will accept that. We haven’t reached fisticuffs over a B2 track just yet.

The house and techno music on Vibrations can veer between a very, for want of a better word, vintage sound and in some instances a highly contemporary sound. Is this accurate or do you see it differently?

Yeah, I guess so. As I said above I think we’d probably be looking for stuff away from the vintage now (barring Jaime who I put in a wholly different class to the vintage house pastiche market). I think our tastes in house music are catholic enough to encompass most things. I know that we’d love to sign a real song as much as abstract machine music.

The Roots Unit material seems like the quintessential Vibrations act but you have released stuff on other labels. Will you be releasing any more Roots Unit stuff on other labels?

For me, Roots Unit still needs to find its working method. Chris and I need to do some heavy R&D to get it in the right place. We blundered into this practice of recorded loads of analogue stuff and then arranging in logic which seemed like a nice melding of vintage and contemporary but I’d like to rethink that a bit. I don’t know where I see it going next.  I’d love Roots Unit to be a true blending of dub and house but that’s so tough.

In terms of other labels, yeah, we’ve been speaking to people but it’s mostly a case of us getting together and making the tracks. With kids, jobs, Soft Rocks DJ gigs and owning a dog it’s just really, really hard to find the time. We’ll get there though!

My personal favourite of all the releases thus far was the Asian Project. Could you tell us more about that release?

Ours too! Bobby Soft Rocks did the tracks with Julian from Bah Samba and originally they were slated for the Soft Rocks LP. Somehow they ended up on Vibrations, they blew our minds and I thought they’d do so well. I met Protect-U when I first dj’d in Philadelphia and we stayed in touch hence the remix. Again, I really felt they nailed that one and I was super-proud of the collaboration and end result. Sadly, the record buying public felt differently. Maybe as it was an unknown artist, or maybe just because it didn’t really sit in any camp…. which kind of makes it the perfect Vibrations record in a way.

You’ve self identified influences on the label that include On-U sound and Nu Groove. In terms of contemporary influences are there any modern labels that you draw inspiration from?

Standard answer, but LIES. Not so much that I like every record but in the way it’s a complete extension of Ron’s taste, vision and personality. Full respect for serving up thoroughly uncompromising music and finding massive success. Others I love include Public Possession, Future Times and TFGC.

Could you tell us about what future releases are in store for the label?

We hopefully have a world music / house fusion from Tiago and a mixed artists e.p that inc an acid banger from Ulysses of the Neurotic Drum Band.

 Words by Thomas Govan. & thanks to Piers & Chris for sharing.

POSTED IN

Music, Press, Soft Rocks

End of Year Pool Picks…

Here at The Pool we thought we’d throw our collective hat into the ring of end of year charts. We’ve solicited charts from the staff and were given an unsurprisingly across the board selection, ranging from the left of centre jazz inflected pop of Julia Holter through to twisted electronic pan bashing of Fulton’s Syclops.

If that wasn’t enough we even found time to probe three of our roster on what 2014 holds for them as well as asking them for their release of 2013….

 

Gavin Kendrick (Southport, A&R Edits)

Top 3 Singles

Theo Parrish & Tony Allen – Day Like This

Mr Beatnick – Symbiosis

Casbah 73 – Jungle Kitten

Top 3 LPs

Dexter Story – Seasons

Andras Fox feat. Oscar S. Thorn – Embassy Café

Yatha Bhuta Jazz Combo – Yatha Bhuta Jazz Combo

Favourite DJ Mix of the Year

Psychemagik Presents – Magik Sunrise

Artist of 2013

Vakula

Event of 2013

Rootdown (UK Invasion)

Artist to watch for 2014

Andrew Ashong

 

Tom Govan

Top 3 Singles

Bill Calahan- Expanding Dub

Linda Mirada- Lio En Rio

Bell Towers- Tonight I’m Flying

Top 3 LPs

Kemper Norton- Carn

Finis Africae- A Last Discovery

Cos/Mes- Let’s Get Lost Vol 2

Favourite DJ Mix of the Year

Chris Galloway Soft Rocks ‘Live from the International Bath House’ Mix for Noise in My Head

Artist of 2013

Heatsick

Event of 2013

Highlife Room at Corsica Studios June 2013

Hacker Farm

Artist to watch

Sagan Youth Boys

 

Robert Needham

3 Tracks I liked

Leisure Connection – Jungle Dancing

Tony G – Simple Dreams (Young Marco remix)

Jordan GCZ – Crybaby J

3 Comps I liked

Who is William Onyeabor

Claremont Originals box set

Saada Bonaire

Favourite party

The Motorcycle Showroom closing party

Artist to Watch 2014

33 10 3402

 

Ben Terry

3 Tracks I liked

Andras Fox – Running Late

Mental Overdrive  – Monster

Nenad Markovic – Weather Vibes

Favourite party

Pool Boat Croatia, Harvey at Lovebox & afters, We Love Ibiza August, Maurice Fulton @ Dance Tunnel.

Favourite LP

Steve Mason – Monkey Minds in the Devils Time

Artist of 2013

HNNY

Artist to Watch 2014

Young Marco

 

Matty J

Top 3 Singles

Todd Terje- Strandbar

Syclops – Jump Bugs

Alexander Robotnick – Undicidisco (Justin Vandervolgen Edit)

Top 3 LPs

Julia Holter – Loud City Song

Chk Chk Chk – Thr!!!er

Tully – Sea Of Joy (Re-Issue)

Favourite DJ Mix of the Year

Todd Terje BBC Radio 1 Essential Mix, Discodromo Pool Mix, Force Of Nature Lovebox Podcast, Abel Chu Valley Mix

Artist of 2013

Young Marco

Events of 2013

Florence Italy, Harvey’s Discotheque Lovebox, Glastonbury, We Love Ibiza, Music For Dreams Ibiza, The Garden Festival Croatia.

Artist to watch for 2014

Andras Fox, Bell Towers, Josey Rebelle

 

Piers Soft Rocks

What have Soft Rocks got for us in 2014?

We’ll be sharing edit duties on African Shakedown Vol 2 with Axel Boman

And your favourite release of 2013.

Merge – Long Distance

 

Bell Towers

What you got for us in 2014…

I’ve got something sneaky for Ruf Kutz, a follow up 12″ on Public Possession early in the year, a remix for Midnight Magic on Permanent Vacation and then some edits on the soon to be launched Animals Dancing label

And what was your favourite release of 2013…

Max D “House of Woo”

 

Richard Sen

What’s in store for 2014?

I have some nice bits lined up for 2014. In Feb the ‘Ghost Train’ single is out on Especial.

In April there will be an Especial mix cd stitched together by my good self and then I’ve got another single in June hopefully remixed by the Asphodells. Plus I’ve got remixes coming up on Strictly Groove Recordings and Public Release as well as a contribution to an exciting Graffiti compilation on Klasse Recordings.

 And the best release of 2013?

My favourite release this year has been Galarude ‘Cero’ Original mix on Internasjonal.

Greg Wilson : 10 yrs back in the game

So, its a bit of a special one for Greg this weekend, marking as it does the tenth anniversary of his return to DJ’ing.

To celebrate, Ralph Lawson, who was at that night in Manchester a decade back, talked to Greg about his return:

Ralph Lawson – Greg Wilson – When the Legend Returned

Also check out Greg’s take on it at the time below…

and more recently on his blog – 10th Anniversary Flashback

And so tonight to complete the circle, Greg returns to the scene of the crime with fellow killer selectors and all round nice guys; Danny Webb & Solid State.

So if you’re in Manchester get down there and enjoy what’s sure to be a big fun night .

Big up Greg and enjoy the party!

If you can’t make that, then catch Greg at one of the below shows over the festive period & check out a live mix from Berghain in Berlin from last week…

 

 

 

 

 

 

POSTED IN

Events, Greg Wilson, Music, Press

MR TIES

Very pleased to announce another new addition to the roster, this time its Francesco De Nittis, but you may know him better as Mr Ties

We have a killer exclusive mix from Francesco and caught up with him to find out where he’s at right now…

– Is it right that you are now living in Istanbul? What made you move from Berlin to there

Yes it’s true ; I also reside now in Istanbul since half a year almost and I’m very happy about this choice…I’ve been living in Berlin for a long while and i just needed to feel the vibe of another city…Being Italian rootswise i appreciate the intense energy and the diversity of her culture … I was also looking for a city that is by the sea ; nothing makes you feel better than waking up with the sea as horizon…

– How is the scene in Istanbul, we know Mini Muzikhol guys well, Harvey loved his trip there recently, what is your favourite spot to play?

Istanbul has a very great vibe ; for my opinion Wake up call is a place I really enjoy playing and the all crew are really efficient and kind ; musicheads and very professional… Last summer they built up a beach club called Suma beach ; it has been very successful and parties there were so good

– Is your Berlin party Homopatik still going strong? Can you name 3 records that have been big for you at this party?

Homopatik is going better and better…Homopatik is very solid crew working all together to preserve the very authentic vibe and quality that homopatik regulars are expecting from us…We also have since a few month new resident Paolo di Nola who is for sure going to put as well a strong energy to the party…

– Can you share with us 3 records that have been big for you at this party?

there is 3 floors in homopatik so let me give you one for each…

FPI project lets go

Chaka Khan –  I’m Every Woman

Robert Armani Dusted Dancefloors

– Are there any particular labels and artists you keep an eye on?

I always keep an eye open on everything as much as possible…I have to say that honestly I have the luck to receive from labels or artists themselves a lot of records they d like me to hear  play…that makes this task easier for sure

– As you like to play extended sets…What’s the best approach for maintaining stamina in an all night set?

Banana Juice is the key!

– As  a Vinyl lover do you ask for Rotary Mixers on your technical rider? What is so special about them?

The technical rider is something that is very so specific also to the party you’ve been requested for…I do like very much the rotary mixer ; Though i found out i really like to use the Urei 1603…. I played very different sets and I guess I’d like to adjust my technical rider to it if possible.

– Are you a fan of Jim Burgess? If so do you play any of his productions out?

I possess records of Jim Burgess and i respect his whole career and what he built for Disco ; he is for sure a very important figure of the Disco. But if you want me to talk about someone im really fond of then I’ll choose the one and only Larry Levan…

– Have you ever been to visit Fire Island?

No I’ve never visited Fire Island but funny you mentioned it I was thinking of maybe buying a house there…ha

– Do you think the ‘harder’ sound of Berlin is getting softer and more melodic?

No I really dont think so if you take as exemple such parties as the Dystopain and Ground Theory just to name those then you understand its what people here want at the moment …

– Did you used to go to attend, Discodromo’s parties in Berlin? Are you a fan of their work?

Discodromo and I are very close friends so you can easily imagine i use to attend to their parties .To be honest its becoming harder and harder to assist to cocktail d’amore as im around a lot at the moment.

We for sure over the past years shared and experienced a lot of music together.

– How was the club scene in Rome before you left for Berlin? Any clubs or DJ’s that made an impact with you?

I was inbetween the club and the rave scene ; I always kind of navigate in both waters at the time…lets say that Nino Scarigo was somebody that for sure inspired me much back then
– Do you take any influence from the renowned Afro scene of the 80’s?

Depends which afro scene you are refering to  here.I actually dig a lot into afro German from the 70s ; I also can mention artists like Düde Dürst on his album Krokodil Solo,  &  krautrock or Augusto Martelli  for who I have a very special affection

– What was your favourite Italian dish growing up? :)

really…? well if you really want to know so i was crazy about a speciality from my mother hometown called la Farratta …how delicious…

 

 

POSTED IN

Mr Ties, Music

Soft Rocks Christmas Hamper

The lads from Soft Rocks have given us seasonal cheer by dropping a whole host of gifts down our digital chimneys.

First up we have a monster haul of live mixes taken from their recent travels in the Russian Federation and one at home turf at Balearicos…..

Clocking in at over three hours the ‘Live at Oldich’ mix is a glorious mixture running from dubwise versions of Billie Jean through a mangina anthem from Q Lazzarus ending at Shina Williams.

With more of an eye on the floor is there ‘Live at Dom Beat’ mix which sees them turning it up a gear for a gig in St Petersburg. Disco, house, afro, reggae all in the blender..

Finally we are treated to a perfectly formed set of horizontal prism benders that were played to the revellers at last Friday’s Balearicos in the Red Kantine.

The next set of gifts come in the form of the four piece ‘Disco Powerplay’ vinyl set that see the guys get there scalpels to work on a dizzying arrange of obscure business. From quirky low slung italo jams through to funky library covers.

POSTED IN

Music, Soft Rocks